{"id":134,"date":"2021-11-15T21:39:07","date_gmt":"2021-11-16T05:39:07","guid":{"rendered":"https:\/\/gerribrightwell.com\/?page_id=134"},"modified":"2024-06-06T14:31:56","modified_gmt":"2024-06-06T21:31:56","slug":"complete-works","status":"publish","type":"page","link":"https:\/\/gerribrightwell.com\/?page_id=134","title":{"rendered":"Published Work"},"content":{"rendered":"<div id=\"complete-works\" class=\"content-section content-section-spacing\" data-id=\"initial-content-section\" data-export-id=\"initial-content-section\" data-label=\"Complete Works\">\n<div class=\"gridContainer\">\n<div class=\"row\">\n<div class=\"col-xs-12 col-sm-12\">\n\n<strong>Novels<\/strong>\n<ul>\n \t<li><em>Turnback Ridge<\/em>: Torrey House Press, 2022<\/li>\n \t<li><em>Dead of Winter<\/em>: Salt Publishing, UK (May 2016)<\/li>\n \t<li><em>The Dark Lantern<\/em>: published in the U.S. and Canada in paperback with Three Rivers Press (2009); in hardback with Crown (2008); in Australia and New Zealand with Scribe (2008); and in Italy as <em>Il Casa dei Segreti<\/em> with Newton Compton (hardback 2009\/paperback 2011)<\/li>\n \t<li><em>Cold Country<\/em>: Duckworth, UK (2002). Also distributed in the US and Canada<\/li>\n<\/ul>\n<strong>Short Stories and flash fiction<\/strong>\n<ul>\n \t<li><span style=\"font-weight: 400;\">\u201cPetrified\u201d (flash)<\/span><i><span style=\"font-weight: 400;\"> Calyx: A Journal of Art and Literature by Women <\/span><\/i><span style=\"font-weight: 400;\">34.2 winter\/spring 2024<\/span><\/li>\n \t<li>&#8220;Adrift&#8221; (flash) <a href=\"https:\/\/atticusreview.org\/author\/gerribrightwell\/\">Atticus Review<\/a> 15 April 2024<\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cNecessary Measures\u201d (flash) in <\/span><i><span style=\"font-weight: 400;\">\u00a0Best Small Fictions Anthology 2023<\/span><\/i><span style=\"font-weight: 400;\">. Previously published in <\/span><a href=\"https:\/\/www.litromagazine.com\/flashfriday\/necessary-measures\/\"><i><span style=\"font-weight: 400;\">Litro Online: #FlashFriday<\/span><\/i><\/a> <span style=\"font-weight: 400;\">(UK) 2<\/span><span style=\"font-weight: 400;\">nd<\/span><span style=\"font-weight: 400;\"> Sept 2022.<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cFlight\u201d:<\/span><i><span style=\"font-weight: 400;\"> Moss Magazine <\/span><\/i><span style=\"font-weight: 400;\">Vol 8, Oct 2023<\/span><\/li>\n \t<li>&#8220;The Old Ways&#8221; <a href=\"https:\/\/fictivedream.com\/2023\/10\/20\/the-old-ways\/\"><em>Fictive Dream<\/em><\/a>, 20 Oct 2023<\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cIf you can see the sea, the sea can see you\u201d <\/span><i><span style=\"font-weight: 400;\">Scribes*MICRO*Fiction <\/span><\/i><span style=\"font-weight: 400;\">Issue 33 15 Sept 2023<\/span><\/li>\n \t<li>\u201cHarvest\u201d <em>365 Tomorrows<\/em> (flash) 21 April 2023<\/li>\n \t<li>\u201cWindfall\u201d <em>Raritan: A Quarterly Review<\/em> fall 2022<\/li>\n \t<li>\u201cCuckoo\u201d <em>Pembroke Magazine<\/em> #54 summer 2022 (also named one of top 50 stories in 2021 BBC National Short Story Contest)<\/li>\n \t<li>\u201cOcean City, 1949\u201d <em>Bayou<\/em> #75 Jan 2022<\/li>\n \t<li>\u201cSpoiled\u201d <em>The Waking: Ruminate Online<\/em> 9th Feb 2021<\/li>\n \t<li>\u201cBroken\u201d <em>101 Words<\/em>, 15 Oct 2020<\/li>\n \t<li>\u201cRasslabsia\u201d <em>JMWW<\/em> 7th October 2020<\/li>\n \t<li>\u201cHuldremose\u201d <em>Copper Nickel<\/em>, #31 &amp; 32, fall 2020<\/li>\n \t<li>\u201cRelease\u201d <em>New Limestone Review<\/em>, 12th May, 2020<\/li>\n \t<li>\u201cMr. Sweet-Pie\u201d <em>Gargoyle<\/em> #71, Fall 2019: Pushcart nomination<\/li>\n \t<li>\u201cTimbuktu\u201d <em>Aurealis<\/em> #120 (Chimaera Publications, Australia) May, 2019<\/li>\n \t<li>\u201cDazzle\u201d <em>Litro Online<\/em>: #FlashFriday (UK) September 2018<\/li>\n \t<li>\u201cA Grievous Burden\u201d <em>Crimewave 13: Bad Light<\/em>, May 2018<\/li>\n \t<li>\u201cGone\u201d <em>Nothing Short Of: Selected Tales from 100 Word Story<\/em>. Ed. Grant Faulkner et al.. Outpost 19 Books, spring 2018.<\/li>\n \t<li>\u201cWilliamsville\u201d <em>The Best American Mystery Stories 2017<\/em> Ed. John Sandford. (Previously published in <em>Alaska Quarterly Review<\/em> vol. 33 nos. 1 &amp; 2 spring\/summer 2016.)<\/li>\n \t<li>\u201cOn Pilson Rock\u201d <em>Southwest Review<\/em> Vol. 102 No. 1, April 2017<\/li>\n \t<li>\u201cDirt\u201d <em>CALYX: A Journal of Art and Literature<\/em> by Women Vol. 29.1 March 2016<\/li>\n \t<li>\u201cThe Joke\u201d<em> Copper Nickel<\/em> #22, March 2016<\/li>\n \t<li>\u201cI\u2019m Coming to That\u201d <em>Juked<\/em> February 2016<\/li>\n \t<li>\u201cMy Promotion\u201d <em>Cleaver Magazine<\/em> Issue No. 11 September 2015. Finalist for Queen\u2019s Ferry Press <em>The Best Small Fictions 2016<\/em>. Guest editor: Stuart Dybek.<\/li>\n \t<li><em>Dead of Winter<\/em> excerpt in <em>Alaska Sampler 2015<\/em>, Running Fox Press, March 2015<\/li>\n \t<li>\u201cBeast\u201d <em>Gargoyle<\/em> #62, February 2015<\/li>\n \t<li>\u201cRevenant\u201d <em>Mondays are Murder<\/em> @ Akashic Press website, November 2014<\/li>\n \t<li>\u201cThe Billet\u201d <em>Memorious: A Journal of New Verse and Fiction<\/em>, Issue 22, summer 2014<\/li>\n \t<li>\u201cLagniappe\u201d<em> Los Angeles Review<\/em> Issue #14, November 2013<\/li>\n \t<li>\u201cSunk\u201d <em>Redivider<\/em> 11.1, fall\/winter 2013 (nominated by Redivider for Pushcart 2013)<\/li>\n \t<li>\u201cHis Good Fortune\u201d <em>Fiction Southeast<\/em>, fall 2013<\/li>\n \t<li>\u201cNorth\u201d <em>Conte<\/em> Vol 9 issue 1, 2013<\/li>\n \t<li>\u201cA Man for Hire\u201d <em>Quarter After Eight: A Journal of Innovative Writing<\/em> issue #19 (issue devoted to work by mentors and their mentees), summer 2013<\/li>\n \t<li><a href=\"http:\/\/www.100wordstory.org\/2802\/gone\/\">\u201cGone.\u201d<\/a> <em>100 Word Story<\/em>, May 2013<\/li>\n \t<li>\u201cThe Wild\u201d BBC Radio 4 <em>Opening Lines<\/em> series (national broadcast of story 20 July 2012, plus audio podcast, audio publication, and on-line publication of story).<\/li>\n \t<li>\u201cSourpuss.\u201d <em>The Brooklyn Review<\/em>. Summer 2012.<\/li>\n \t<li>\u201cWaltzing.\u201d <em>The Long Story<\/em> No. 30, December 2011.<\/li>\n \t<li>\u201cInstructions for Disposal of Dangerous Materials.\u201d <em>Used Furniture Review<\/em> 7 December, 2011.<\/li>\n \t<li>\u201cAt Rest.\u201d <em>Dirty Napkin<\/em> #4.4 September 2011. (Publication plus audio recording.)<\/li>\n \t<li>\u201cBeset.\u201d <em>Bound Off<\/em>: Literary Audio Podcast. September 2011. Nominated by Bound Off editors for the Million Writers Award.<\/li>\n \t<li>\u201cNothing To Be Ashamed Of.\u201d <em>Word Riot<\/em>. June 2011.<\/li>\n \t<li>\u201cThe House at Hexworthy.\u201d <em>Bartleby Snopes<\/em> June 2011.<\/li>\n \t<li>\u201cA Long and Distinguished Career.\u201d<em> Camera Obscura Journal of Literature and Photography<\/em> Vol. 3 Summer\/Fall 2011.<\/li>\n \t<li>\u201cA Disgrace.\u201d <em>Per Contra: The International Journal of the Arts, Literature and Ideas<\/em> (spring 2011).<\/li>\n \t<li>\u201cA Small Loss.\u201d<em> New Orphic Review<\/em>, Fall 2006.<\/li>\n \t<li>\u201cHeartbreak at the New Greek Caf\u00e9.\u201d <em>Hawaii Review<\/em> 1994, issue 43.<\/li>\n \t<li>\u201cThe Bruising.\u201d <em>Double-Entendre<\/em>. Summer 1994.<\/li>\n \t<li>\u201cThe Fish Corpse.\u201d <em>Unthank<\/em>. Norwich, UK: Centre for Creative and Performing Arts, 1989.<\/li>\n<\/ul>\n<strong>Non-Fiction:<\/strong>\n<ul>\n \t<li>\u201cDirty Laundry\u201d <em>The Tusculum Review <\/em>Vol. 23, 2023<\/li>\n \t<li>\u201cA Vaster World\u201d <em>New World Writing<\/em>, 4 April 2023<\/li>\n \t<li>Invited contributor for February 2023 for Wrangell Mountains Center writers\u2019 blog. Four blog entries on writing and literature:\n\u201cYou, the Writer\u201d\n\u201cMarking Time\u201d\n\u201cThe Power of Three\u201d\n\u201cI Don\u2019t Remember That Chinese Restaurant\u201d<\/li>\n \t<li>\u201cNew York No\u201d <em>Mslexia<\/em> (UK) issue 88, Dec 2020<\/li>\n \t<li>\u201cSwamped\u201d <em>The Real Story<\/em> (UK), 30th Oct 2020<\/li>\n \t<li>\u201cThe Case of the Vampire Student\u201d in <em>The Chronicle of Higher Education<\/em> Advice section 8 May 2013, http:\/\/chronicle.com\/article\/The-Case-of-the-Vampire\/139099\/<\/li>\n \t<li>\u201cSkirmish.\u201d <em>Redivider: A Journal of New Literature and Art<\/em> 9.2 spring 2012.<\/li>\n \t<li><a href=\"ttp:\/\/blipmagazine.net\/summer-2011\/gerri-brightwell\/\">\u201cTranslation\u201d<\/a>: (i) <em>BLIP<\/em> Magazine Summer 2011.\n(ii) <em>BLIP<\/em> magazine Summer 2011 (Kindle edition): BLIP Publishing, 18 August 2011\nInvited contributor for May 2011 for Alaskan writers\u2019 blog 49writers (www.49writers.blogspot.com).<\/li>\n \t<li>Four blog entries on writing and literature:\n\u201cOn Running\u201d\n\u201cThe End of the Story\u201d\n\u201cMessing With Books\u201d\n\u201cBecoming Unstuck\u201d<\/li>\n \t<li>\u201cOn the Chena River, January 2008.\u201d <em>Camas<\/em>: The Nature of the West vol. 18 #3, Winter 2010.<\/li>\n \t<li>\u201cLured to the Land of the Free.\u201d <em>Guardian<\/em> (UK) 8 Feb. 1994.<\/li>\n \t<li>\u201cComing Out of Winter.\u201d <em>Gulf Islands Guardian<\/em> (July 1994).<\/li>\n \t<li>\u201cLiving in Eden.\u201d <em>Santa Clara Review<\/em> 81.2 (1994): 168-170.<\/li>\n<\/ul>\n<strong>Poetry<\/strong>\n<ul>\n \t<li>\u201cSo much earth.\u201d <em>Rosebud<\/em> magazine #52, spring 2012.<\/li>\n<\/ul>\n<strong>Song Lyrics\/Performances of Work<\/strong>\n\nWinter Journeys: Songs for Orchestra and Chorus. Lyrics: Gerri Brightwell, music James Michael Bicigo, Dept. of Music, University of Alaska, Fairbanks:\n<ul>\n \t<li>Premier of \u201cSongs of a Pioneer\u201d sung by Danica Clark Hoffart, Chantal Boos and Sharon Braun as part of Sometimes in Winter at the Lacombe Performing Arts Centre, 21 Nov 2019, Lacombe, Alberta, Canada.<\/li>\n \t<li>Premier of Movement Seven, 30th September, 2007, by the Rostern Community College Choir and Saskatoon Youth Orchestra in Saskatchewan, Canada. Entry in the ASCAP Rudolph Nissan Competition, Nov. 2007.<\/li>\n \t<li>Premier performance of \u201cLost Dog\u201d movement by Summer Music Academy Concert Choir, 12 June, 2008.<\/li>\n \t<li>Premier performance of \u201cThe Old Whale Road: and \u201cAngel of Snow\u201d movements by Summer Music Academy Concert Choir, 20 June, 2008<\/li>\n \t<li>Premier performance of \u201cHoliday Memories\u201d movement by Summer Music Academy, Academy Choir, 20 June, 2008.<\/li>\n<\/ul>\n<strong>Book reviews<\/strong>\n<ul>\n \t<li>Review of Roy Ness\u2019s Rutting Season (novel) in The Northern Review #46, December 2017.<\/li>\n \t<li>Review of Ian Burney\u2019s Poison, Detection and the Victorian Imagination. Manchester: Manchester UP, 2007. Journal of British Studies, vol. 47, n. 2, April 2008.<\/li>\n<\/ul>\n<strong>Literary Criticism<\/strong>\n<ul>\n \t<li>\u201cHunted Down,\u201d \u201cA Manchester Marriage,\u201d \u201cA Scandal in Bohemia.\u201d Companion to the British Short Story and Short Fiction. Ed. Andrew Maunder. Facts on File, 2006.<\/li>\n \t<li>\u201cThe Case of the Household Spy: Public Service and Domestic Service in Hayward\u2019s \u2018The Mysterious Countess.\u2019\u201d CLUES: A Journal of Detection. Spring 2005.<\/li>\n \t<li>\u201cCharting the Nebula: Gender, Language and Power in Kate Chopin\u2019s The Awakening.\u201d Women &amp; Language 18.2 (1995): 37-41.<\/li>\n \t<li>\u201cFlags and Filters: The Influence of Colour in Doris Lessing\u2019s The Golden Notebook.\u201d The Doris Lessing Newsletter 16.1 (1994): 3+.<\/li>\n<\/ul>\nComposition, Second-language Acquisition, and Pedagogy\n<ul>\n \t<li><a href=\"http:\/\/www.pearsoned.com\/pedagogy-practice\/small-steps-discovering-who-you-are-as-a-writer\/3 March 2016\" data-wplink-url-error=\"true\">\u201cSmall Steps: Discovering Who You Are As a Writer\u201d<\/a> Pearson: Pedagogy and Practice (website)<\/li>\n \t<li><a href=\"http:\/\/www.bedfordstmartins.com\/lore\/strategies\/js01.htm\">\u201cDistinguishing Ourselves: Thoughts from the Far Side of the Teaching Philosophy.\u201d<\/a> LORE, fall 2004.<\/li>\n \t<li><a href=\"http:\/\/www.ait.ac.th\/interimpage\/ait_visitor\/search\/index.asp?q=language+center&amp;btnG.x=0&amp;btnG.y=0&amp;sitesearch=ait.ac.th\">\u201cWriting Up Research: On-line Writing Course.\u201d<\/a> Language Center (previously Center for Language and Education Technology), Asian Institute of Technology, 1998:<\/li>\n \t<li>with Marie-France Champagne. \u201cThe Fifth Dimension: ThaiTESOL \u201998.\u201d ThaiTESOL Newsletter 11.1 (1998): 16-19.<\/li>\n \t<li>\u201cThe Fallible Teacher.\u201d IATEFL Newsletter (Oct\/Nov 1997).<\/li>\n \t<li>\u201cThrowaway Writing.\u201d TESOL Matters 7.3 (1997).<\/li>\n \t<li>\u201cIs It Perfect Yet?: How We Fail to Teach Writing Skills.\u201d Selected Proceedings, The First Pan Asian Conference and 17th Annual Thai TESOL International Conference: 9-10. Jan 1997.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Novels Turnback Ridge: Torrey House Press, 2022 Dead of Winter: Salt Publishing, UK (May 2016) The Dark Lantern: published in the U.S. and Canada in paperback with Three Rivers Press (2009); in hardback with Crown (2008); in Australia and New Zealand with Scribe (2008); and in Italy as Il Casa dei Segreti with Newton Compton&hellip; <br \/> <a class=\"read-more\" href=\"https:\/\/gerribrightwell.com\/?page_id=134\">Read more<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"pro\/page-templates\/full-width-page.php","meta":{"footnotes":""},"class_list":["post-134","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=\/wp\/v2\/pages\/134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=134"}],"version-history":[{"count":12,"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=\/wp\/v2\/pages\/134\/revisions"}],"predecessor-version":[{"id":341,"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=\/wp\/v2\/pages\/134\/revisions\/341"}],"wp:attachment":[{"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}