{"id":134,"date":"2021-11-15T21:39:07","date_gmt":"2021-11-16T05:39:07","guid":{"rendered":"https:\/\/gerribrightwell.com\/?page_id=134"},"modified":"2026-06-11T15:23:54","modified_gmt":"2026-06-11T22:23:54","slug":"complete-works","status":"publish","type":"page","link":"https:\/\/gerribrightwell.com\/?page_id=134","title":{"rendered":"Published Work"},"content":{"rendered":"<div id=\"complete-works\" class=\"content-section content-section-spacing\" data-id=\"initial-content-section\" data-export-id=\"initial-content-section\" data-label=\"Complete Works\">\n<div class=\"gridContainer\">\n<div class=\"row\">\n<div class=\"col-xs-12 col-sm-12\">\n\n<strong>Novels<\/strong>\n<ul>\n \t<li><em>Turnback Ridge<\/em>: Torrey House Press, 2022<\/li>\n \t<li><em>Dead of Winter<\/em>: Salt Publishing, UK (May 2016)<\/li>\n \t<li><em>The Dark Lantern<\/em>: published in the U.S. and Canada in paperback with Three Rivers Press (2009); in hardback with Crown (2008); in Australia and New Zealand with Scribe (2008); and in Italy as <em>Il Casa dei Segreti<\/em> with Newton Compton (hardback 2009\/paperback 2011)<\/li>\n \t<li><em>Cold Country<\/em>: Duckworth, UK (2002). Also distributed in the US and Canada<\/li>\n<\/ul>\n<strong>Short Stories and flash fiction<\/strong>\n<ul>\n \t<li><span style=\"font-weight: 400;\">FORTHCOMING:<\/span><span style=\"font-weight: 400;\"> \u201cWake\u201d in<\/span><i><span style=\"font-weight: 400;\"> Bennington Review <\/span><\/i><span style=\"font-weight: 400;\">issue sixteen<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cGravity\u201d <\/span><i><span style=\"font-weight: 400;\">Clackamas Literary Review <\/span><\/i><span style=\"font-weight: 400;\">Vol. 30, <\/span><span style=\"font-weight: 400;\">May 2026<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cAfterlife\u201d<\/span> <a href=\"https:\/\/flashfictionmagazine.com\/blog\/2026\/05\/01\/afterlife\/\"><i><span style=\"font-weight: 400;\">Flash Fiction Magazine<\/span><\/i><\/a> <span style=\"font-weight: 400;\">1st May 2026<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cTrapdoor\u201d <\/span><i><span style=\"font-weight: 400;\">San Pedro River Review<\/span><\/i><span style=\"font-weight: 400;\"> Vol. 18 no. 1 spring 2026<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cOne Night in Winter\u201d <\/span><i><span style=\"font-weight: 400;\">Bayou Magazine <\/span><\/i><span style=\"font-weight: 400;\">Issue 80 Feb 2026<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cCeremony of Farewell\u201d <\/span><a href=\"https:\/\/www.antisf.com\/the-stories\/ceremony-of-farewell\"><i><span style=\"font-weight: 400;\">AntipodeanSF <\/span><\/i><\/a><span style=\"font-weight: 400;\">Issue 328 Feb 2026 (also featured on the <\/span><i><span style=\"font-weight: 400;\">AntiSF Radio Show<\/span><\/i><span style=\"font-weight: 400;\"> #702 Broederstroom, 14 June 2026)<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cDevil\u2019s Teeth\u201d <\/span><i><span style=\"font-weight: 400;\">Litro Magazine <\/span><\/i><span style=\"font-weight: 400;\">(UK) 19 Oct, 2025<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cCarried Away\u201d <\/span><i><span style=\"font-weight: 400;\">The Phare <\/span><\/i><span style=\"font-weight: 400;\">Summer issue 11 Aug 2025<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cSordid Little World\u201d <\/span><i><span style=\"font-weight: 400;\">X-R-A-Y Lit Mag<\/span><\/i><span style=\"font-weight: 400;\"> 19 June 2025<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cAblaze\u201d <\/span><i><span style=\"font-weight: 400;\">Vestal Review <\/span><\/i><span style=\"font-weight: 400;\">#65 13 Dec 2024<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cThe Purge, 1944\u201d <\/span><a href=\"https:\/\/flashfictionmagazine.com\/blog\/2024\/08\/09\/the-purge-1944\/\"><i><span style=\"font-weight: 400;\">Flash Fiction Magazine<\/span><\/i><\/a> <span style=\"font-weight: 400;\">9 Aug 2024<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cPetrified\u201d (flash)<\/span><i><span style=\"font-weight: 400;\"> Calyx: A Journal of Art and Literature by Women <\/span><\/i><span style=\"font-weight: 400;\">34.2 winter\/spring 2024<\/span><\/li>\n \t<li>&#8220;Adrift&#8221; (flash) <a href=\"https:\/\/atticusreview.org\/author\/gerribrightwell\/\">Atticus Review<\/a> 15 April 2024<\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cNecessary Measures\u201d (flash) in <\/span><i><span style=\"font-weight: 400;\">\u00a0Best Small Fictions Anthology 2023<\/span><\/i><span style=\"font-weight: 400;\">. Previously published in <\/span><a href=\"https:\/\/www.litromagazine.com\/flashfriday\/necessary-measures\/\"><i><span style=\"font-weight: 400;\">Litro Online: #FlashFriday<\/span><\/i><\/a> <span style=\"font-weight: 400;\">(UK) 2<\/span><span style=\"font-weight: 400;\">nd<\/span><span style=\"font-weight: 400;\"> Sept 2022.<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cFlight\u201d:<\/span><i><span style=\"font-weight: 400;\"> Moss Magazine <\/span><\/i><span style=\"font-weight: 400;\">Vol 8, Oct 2023<\/span><\/li>\n \t<li>&#8220;The Old Ways&#8221; <a href=\"https:\/\/fictivedream.com\/2023\/10\/20\/the-old-ways\/\"><em>Fictive Dream<\/em><\/a>, 20 Oct 2023<\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cIf you can see the sea, the sea can see you\u201d <\/span><i><span style=\"font-weight: 400;\">Scribes*MICRO*Fiction <\/span><\/i><span style=\"font-weight: 400;\">Issue 33 15 Sept 2023<\/span><\/li>\n \t<li>\u201cHarvest\u201d <em>365 Tomorrows<\/em> (flash) 21 April 2023<\/li>\n \t<li>\u201cWindfall\u201d <em>Raritan: A Quarterly Review<\/em> fall 2022<\/li>\n \t<li>\u201cCuckoo\u201d <em>Pembroke Magazine<\/em> #54 summer 2022 (also named one of top 50 stories in 2021 BBC National Short Story Contest)<\/li>\n \t<li>\u201cOcean City, 1949\u201d <em>Bayou<\/em> #75 Jan 2022<\/li>\n \t<li>\u201cSpoiled\u201d <em>The Waking: Ruminate Online<\/em> 9th Feb 2021<\/li>\n \t<li>\u201cBroken\u201d <em>101 Words<\/em>, 15 Oct 2020<\/li>\n \t<li>\u201cRasslabsia\u201d <em>JMWW<\/em> 7th October 2020<\/li>\n \t<li>\u201cHuldremose\u201d <em>Copper Nickel<\/em>, #31 &amp; 32, fall 2020<\/li>\n \t<li>\u201cRelease\u201d <em>New Limestone Review<\/em>, 12th May, 2020<\/li>\n \t<li>\u201cMr. Sweet-Pie\u201d <em>Gargoyle<\/em> #71, Fall 2019: Pushcart nomination<\/li>\n \t<li>\u201cTimbuktu\u201d <em>Aurealis<\/em> #120 (Chimaera Publications, Australia) May, 2019<\/li>\n \t<li>\u201cDazzle\u201d <em>Litro Online<\/em>: #FlashFriday (UK) September 2018<\/li>\n \t<li>\u201cA Grievous Burden\u201d <em>Crimewave 13: Bad Light<\/em>, May 2018<\/li>\n \t<li>\u201cGone\u201d <em>Nothing Short Of: Selected Tales from 100 Word Story<\/em>. Ed. Grant Faulkner et al.. Outpost 19 Books, spring 2018.<\/li>\n \t<li>\u201cWilliamsville\u201d <em>The Best American Mystery Stories 2017<\/em> Ed. John Sandford. (Previously published in <em>Alaska Quarterly Review<\/em> vol. 33 nos. 1 &amp; 2 spring\/summer 2016.)<\/li>\n \t<li>\u201cOn Pilson Rock\u201d <em>Southwest Review<\/em> Vol. 102 No. 1, April 2017<\/li>\n \t<li>\u201cDirt\u201d <em>CALYX: A Journal of Art and Literature<\/em> by Women Vol. 29.1 March 2016<\/li>\n \t<li>\u201cThe Joke\u201d<em> Copper Nickel<\/em> #22, March 2016<\/li>\n \t<li>\u201cI\u2019m Coming to That\u201d <em>Juked<\/em> February 2016<\/li>\n \t<li>\u201cMy Promotion\u201d <em>Cleaver Magazine<\/em> Issue No. 11 September 2015. Finalist for Queen\u2019s Ferry Press <em>The Best Small Fictions 2016<\/em>. Guest editor: Stuart Dybek.<\/li>\n \t<li><em>Dead of Winter<\/em> excerpt in <em>Alaska Sampler 2015<\/em>, Running Fox Press, March 2015<\/li>\n \t<li>\u201cBeast\u201d <em>Gargoyle<\/em> #62, February 2015<\/li>\n \t<li>\u201cRevenant\u201d <em>Mondays are Murder<\/em> @ Akashic Press website, November 2014<\/li>\n \t<li>\u201cThe Billet\u201d <em>Memorious: A Journal of New Verse and Fiction<\/em>, Issue 22, summer 2014<\/li>\n \t<li>\u201cLagniappe\u201d<em> Los Angeles Review<\/em> Issue #14, November 2013<\/li>\n \t<li>\u201cSunk\u201d <em>Redivider<\/em> 11.1, fall\/winter 2013 (nominated by Redivider for Pushcart 2013)<\/li>\n \t<li>\u201cHis Good Fortune\u201d <em>Fiction Southeast<\/em>, fall 2013<\/li>\n \t<li>\u201cNorth\u201d <em>Conte<\/em> Vol 9 issue 1, 2013<\/li>\n \t<li>\u201cA Man for Hire\u201d <em>Quarter After Eight: A Journal of Innovative Writing<\/em> issue #19 (issue devoted to work by mentors and their mentees), summer 2013<\/li>\n \t<li><a href=\"http:\/\/www.100wordstory.org\/2802\/gone\/\">\u201cGone.\u201d<\/a> <em>100 Word Story<\/em>, May 2013<\/li>\n \t<li>\u201cThe Wild\u201d BBC Radio 4 <em>Opening Lines<\/em> series (national broadcast of story 20 July 2012, plus audio podcast, audio publication, and on-line publication of story).<\/li>\n \t<li>\u201cSourpuss.\u201d <em>The Brooklyn Review<\/em>. Summer 2012.<\/li>\n \t<li>\u201cWaltzing.\u201d <em>The Long Story<\/em> No. 30, December 2011.<\/li>\n \t<li>\u201cInstructions for Disposal of Dangerous Materials.\u201d <em>Used Furniture Review<\/em> 7 December, 2011.<\/li>\n \t<li>\u201cAt Rest.\u201d <em>Dirty Napkin<\/em> #4.4 September 2011. (Publication plus audio recording.)<\/li>\n \t<li>\u201cBeset.\u201d <em>Bound Off<\/em>: Literary Audio Podcast. September 2011. Nominated by Bound Off editors for the Million Writers Award.<\/li>\n \t<li>\u201cNothing To Be Ashamed Of.\u201d <em>Word Riot<\/em>. June 2011.<\/li>\n \t<li>\u201cThe House at Hexworthy.\u201d <em>Bartleby Snopes<\/em> June 2011.<\/li>\n \t<li>\u201cA Long and Distinguished Career.\u201d<em> Camera Obscura Journal of Literature and Photography<\/em> Vol. 3 Summer\/Fall 2011.<\/li>\n \t<li>\u201cA Disgrace.\u201d <em>Per Contra: The International Journal of the Arts, Literature and Ideas<\/em> (spring 2011).<\/li>\n \t<li>\u201cA Small Loss.\u201d<em> New Orphic Review<\/em>, Fall 2006.<\/li>\n \t<li>\u201cHeartbreak at the New Greek Caf\u00e9.\u201d <em>Hawaii Review<\/em> 1994, issue 43.<\/li>\n \t<li>\u201cThe Bruising.\u201d <em>Double-Entendre<\/em>. Summer 1994.<\/li>\n \t<li>\u201cThe Fish Corpse.\u201d <em>Unthank<\/em>. Norwich, UK: Centre for Creative and Performing Arts, 1989.<\/li>\n<\/ul>\n<strong>Non-Fiction:<\/strong>\n<ul>\n \t<li><span style=\"font-weight: 400;\">FORTHCOMING:<\/span><span style=\"font-weight: 400;\"> \u201cA Solitary Crane\u201d <\/span><i><span style=\"font-weight: 400;\">EPOCH Magazine<\/span><\/i><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cThe world idling by\u201d <\/span><i><span style=\"font-weight: 400;\">Flash Frontier <\/span><\/i><span style=\"font-weight: 400;\">(New Zealand)<\/span> <span style=\"font-weight: 400;\">Dec 2024<\/span><\/li>\n \t<li>\u201cDirty Laundry\u201d <em>The Tusculum Review <\/em>Vol. 23, 2023<\/li>\n \t<li>\u201cA Vaster World\u201d <em>New World Writing<\/em>, 4 April 2023<\/li>\n \t<li>Invited contributor for February 2023 for Wrangell Mountains Center writers\u2019 blog. Four blog entries on writing and literature:\n\u201cYou, the Writer\u201d\n\u201cMarking Time\u201d\n\u201cThe Power of Three\u201d\n\u201cI Don\u2019t Remember That Chinese Restaurant\u201d<\/li>\n \t<li>\u201cNew York No\u201d <em>Mslexia<\/em> (UK) issue 88, Dec 2020<\/li>\n \t<li>\u201cSwamped\u201d <em>The Real Story<\/em> (UK), 30th Oct 2020<\/li>\n \t<li>\u201cThe Case of the Vampire Student\u201d in <em>The Chronicle of Higher Education<\/em> Advice section 8 May 2013, http:\/\/chronicle.com\/article\/The-Case-of-the-Vampire\/139099\/<\/li>\n \t<li>\u201cSkirmish.\u201d <em>Redivider: A Journal of New Literature and Art<\/em> 9.2 spring 2012.<\/li>\n \t<li><a href=\"ttp:\/\/blipmagazine.net\/summer-2011\/gerri-brightwell\/\">\u201cTranslation\u201d<\/a>: (i) <em>BLIP<\/em> Magazine Summer 2011.\n(ii) <em>BLIP<\/em> magazine Summer 2011 (Kindle edition): BLIP Publishing, 18 August 2011\nInvited contributor for May 2011 for Alaskan writers\u2019 blog 49writers (www.49writers.blogspot.com).<\/li>\n \t<li>Four blog entries on writing and literature:\n\u201cOn Running\u201d\n\u201cThe End of the Story\u201d\n\u201cMessing With Books\u201d\n\u201cBecoming Unstuck\u201d<\/li>\n \t<li>\u201cOn the Chena River, January 2008.\u201d <em>Camas<\/em>: The Nature of the West vol. 18 #3, Winter 2010.<\/li>\n \t<li>\u201cLured to the Land of the Free.\u201d <em>Guardian<\/em> (UK) 8 Feb. 1994.<\/li>\n \t<li>\u201cComing Out of Winter.\u201d <em>Gulf Islands Guardian<\/em> (July 1994).<\/li>\n \t<li>\u201cLiving in Eden.\u201d <em>Santa Clara Review<\/em> 81.2 (1994): 168-170.<\/li>\n<\/ul>\n<strong>Poetry<\/strong>\n<ul>\n \t<li><span style=\"font-weight: 400;\">\u201cScattered\u201d in<\/span><i><span style=\"font-weight: 400;\"> Consequence Magazine <\/span><\/i><span style=\"font-weight: 400;\">Vol. 18.1 May 2026<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cBoulevard du Temple\u201d in<\/span> <a href=\"https:\/\/www.theunjournals.com\/unbroken49\"><i><span style=\"font-weight: 400;\">Unbroken Magazine<\/span><\/i><\/a><span style=\"font-weight: 400;\"> spring 2026<\/span><\/li>\n \t<li><span style=\"font-weight: 400;\">\u201cSo much earth.\u201d <\/span><i><span style=\"font-weight: 400;\">Rosebud<\/span><\/i><span style=\"font-weight: 400;\"> magazine #52, spring 2012.<\/span><\/li>\n<\/ul>\n<strong>Song Lyrics\/Performances of Work<\/strong>\n<ul>\n \t<li><i><span style=\"font-weight: 400;\">Winter Journeys: Songs for Orchestra and Chorus<\/span><\/i><span style=\"font-weight: 400;\">.\u00a0 Lyrics (&amp; narrative 2025): Gerri Brightwell, music Dr. James Michael Bicigo:<\/span>\n<ul>\n \t<li><span style=\"font-weight: 400;\">Premier of \u201cSongs of a Winter\u2019s Journey\u201dwith\u00a0 narrative 12 December 2025 by the Red Deer Chamber Singers and Central Alberta Chamber Orchestra at Gaetz Memorial United Church, Red Deer, AB (performance also 14 December 2025 in Ponoka United Church, Ponoka, AB<\/span><\/li>\n \t<li style=\"font-weight: 400;\" aria-level=\"1\"><span style=\"font-weight: 400;\">Premier performance of \u201cHoliday Memories\u201d movement by Summer Music Academy, Academy Choir, 20 June, 2008.<\/span><\/li>\n \t<li style=\"font-weight: 400;\" aria-level=\"1\">Premier of \u201cSongs of a Pioneer\u201d sung by Danica Clark Hoffart, Chantal Boos and Sharon Braun as part of Sometimes in Winter at the Lacombe Performing Arts Centre, 21 Nov 2019, Lacombe, Alberta, Canada.<\/li>\n \t<li style=\"font-weight: 400;\" aria-level=\"1\">Premier of Movement Seven, 30th September, 2007, by the Rostern Community College Choir and Saskatoon Youth Orchestra in Saskatchewan, Canada. Entry in the ASCAP Rudolph Nissan Competition, Nov. 2007.<\/li>\n \t<li style=\"font-weight: 400;\" aria-level=\"1\">Premier performance of \u201cLost Dog\u201d movement by Summer Music Academy Concert Choir, 12 June, 2008.<\/li>\n \t<li style=\"font-weight: 400;\" aria-level=\"1\">Premier performance of \u201cThe Old Whale Road: and \u201cAngel of Snow\u201d movements by Summer Music Academy Concert Choir, 20 June, 2008<\/li>\n \t<li style=\"font-weight: 400;\" aria-level=\"1\">Premier performance of \u201cHoliday Memories\u201d movement by Summer Music Academy, Academy Choir, 20 June, 2008.<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<strong>Book reviews<\/strong>\n<ul>\n \t<li>Review of Roy Ness\u2019s Rutting Season (novel) in The Northern Review #46, December 2017.<\/li>\n \t<li>Review of Ian Burney\u2019s Poison, Detection and the Victorian Imagination. Manchester: Manchester UP, 2007. Journal of British Studies, vol. 47, n. 2, April 2008.<\/li>\n<\/ul>\n<strong>Literary Criticism<\/strong>\n<ul>\n \t<li>\u201cHunted Down,\u201d \u201cA Manchester Marriage,\u201d \u201cA Scandal in Bohemia.\u201d Companion to the British Short Story and Short Fiction. Ed. Andrew Maunder. Facts on File, 2006.<\/li>\n \t<li>\u201cThe Case of the Household Spy: Public Service and Domestic Service in Hayward\u2019s \u2018The Mysterious Countess.\u2019\u201d CLUES: A Journal of Detection. Spring 2005.<\/li>\n \t<li>\u201cCharting the Nebula: Gender, Language and Power in Kate Chopin\u2019s The Awakening.\u201d Women &amp; Language 18.2 (1995): 37-41.<\/li>\n \t<li>\u201cFlags and Filters: The Influence of Colour in Doris Lessing\u2019s The Golden Notebook.\u201d The Doris Lessing Newsletter 16.1 (1994): 3+.<\/li>\n<\/ul>\nComposition, Second-language Acquisition, and Pedagogy\n<ul>\n \t<li><a href=\"http:\/\/www.pearsoned.com\/pedagogy-practice\/small-steps-discovering-who-you-are-as-a-writer\/3 March 2016\">\u201cSmall Steps: Discovering Who You Are As a Writer\u201d<\/a> Pearson: Pedagogy and Practice (website)<\/li>\n \t<li><a href=\"http:\/\/www.bedfordstmartins.com\/lore\/strategies\/js01.htm\">\u201cDistinguishing Ourselves: Thoughts from the Far Side of the Teaching Philosophy.\u201d<\/a> LORE, fall 2004.<\/li>\n \t<li><a href=\"http:\/\/www.ait.ac.th\/interimpage\/ait_visitor\/search\/index.asp?q=language+center&amp;btnG.x=0&amp;btnG.y=0&amp;sitesearch=ait.ac.th\">\u201cWriting Up Research: On-line Writing Course.\u201d<\/a> Language Center (previously Center for Language and Education Technology), Asian Institute of Technology, 1998:<\/li>\n \t<li>with Marie-France Champagne. \u201cThe Fifth Dimension: ThaiTESOL \u201998.\u201d ThaiTESOL Newsletter 11.1 (1998): 16-19.<\/li>\n \t<li>\u201cThe Fallible Teacher.\u201d IATEFL Newsletter (Oct\/Nov 1997).<\/li>\n \t<li>\u201cThrowaway Writing.\u201d TESOL Matters 7.3 (1997).<\/li>\n \t<li>\u201cIs It Perfect Yet?: How We Fail to Teach Writing Skills.\u201d Selected Proceedings, The First Pan Asian Conference and 17th Annual Thai TESOL International Conference: 9-10. Jan 1997.<\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Novels Turnback Ridge: Torrey House Press, 2022 Dead of Winter: Salt Publishing, UK (May 2016) The Dark Lantern: published in the U.S. and Canada in paperback with Three Rivers Press (2009); in hardback with Crown (2008); in Australia and New Zealand with Scribe (2008); and in Italy as Il Casa dei Segreti with Newton Compton&hellip; <br \/> <a class=\"read-more\" href=\"https:\/\/gerribrightwell.com\/?page_id=134\">Read more<\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"pro\/page-templates\/full-width-page.php","meta":{"footnotes":""},"class_list":["post-134","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=\/wp\/v2\/pages\/134","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=134"}],"version-history":[{"count":15,"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=\/wp\/v2\/pages\/134\/revisions"}],"predecessor-version":[{"id":366,"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=\/wp\/v2\/pages\/134\/revisions\/366"}],"wp:attachment":[{"href":"https:\/\/gerribrightwell.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=134"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}